914 Words of Solitude

In Latin American tales, metaphors and symbols are extremely powerful means of conveying hidden meaning within the stories. Three examples of such literary devices are within the book 100 Years of Solitude, various poems by Pablo Neruda, and the movie Il Postino. Each of these examples contain many images that stand for something greater than themselves.

In “100 Years of Solitude” metaphors are used to show how different the developed world is compared to Macondo. It shows the difference by giving ordinary objets and occurrences in both societies a more mysterious and fantastical connotation. The objects and events symbolize the divide between two very different worlds inhabited by people that under similar circumstances could just be one and the same but instead seem like aliens in the eyes of outsiders. Examples of this arise very early in the story to make that divide very obvious and finalized without question. The way in which the objects are brought into the story is through the gypsy characters that bring objects from foreign lands to Macondo. They are simple things like ice, magnifying glasses, and magnets but to the people of this land they seem like magical instruments. Such regular objects are introduced in order to show how little these two worlds understand about one another. This goes the other way too because to a reader, the events that occur in the book seem extremely strange and convoluted but are actually based in fact. One example is the insomnia plague that sweeps through Macondo. It is a contagious disease that causes everyone to be unable to sleep and leads to the entire city to begin forgetting the names and purposes of everyday items and eventually their own lives. It symbolizes not only how fantastical this other land can seem, but also is there to represent the impermanence of history. Though people try their best to record and document everything, the reality is that we are only humans and our ability to remember or even believe events is often based in what we are told. But often people don’t remember what to tell or they chose to lie.

Pablo Neruda writes many poems and all are immersed in metaphors intended to portray a thought more eloquently. His poem “I Like For You To Be Still”employs metaphor when Neruda says “You are like the night 
with its stillness and constellations your silence is that of a star 
as remote and candid
.” In this poem he is trying to convey the message that he would rather experience his lover’s presence through all means except talking and listening. Sometimes words ruin what otherwise could be a precious moment. What better way to convey this than through such a metaphor as the one he uses? Neruda chooses what is probably the most silent and distant thing out there. The lonely stars millions of miles away, floating alone in the vacuum of space. It is far away but also beautiful and  something worth just observing to understand that all problems are so insignificant beneath the vastness of everything else. This is the feeling he has with that woman and without being wordy- and therefore using exactly what he wants to avoid- he chooses his comparisons carefully. Another example is in the poem “Ode To The Dictionary” when in describing the dictionary- a mere book, a tool for people to research information- he dresses it “Dictionary, you’re not
 a tomb, sepulcher, casket, 
burial mound, mausoleum,
 but a preserver.” This dwells so deeply into the very concept of the dictionary itself. It makes the reader think about something they may not even have considered, that the book traps words in it, but immediately shows the wrongness in that assumption by showing that the dictionary protects wisdom. In this way it is the sort of thing that the people in “100 Years of Solitude” lacked because in the blink of an eye many things were erased from history.

The movie “Il Postino” outwardly disguises itself as a simple love story and a tale of the bonds of friendship but evolves into something much more meaningful. The entire movie that at first glance seems very on the surface actually is filled with the deeper meaning of things. The main character, Mario, “is really a more complex individual. He occasionally makes some startlingly insightful observations, such as ‘the whole world is a metaphor for something.'” (James Berardinelli) The movie’s entire plot shows how poetry can affect lives, and alongside the symbols within it, it also goes to define metaphors consistently throughout so that one can understand their impact.When Mario discovers what Metaphors can do, he begins to see the world differently, and as Pablo Neruda makes poetic comparisons throughout the film, the viewer begins to see things differently as well. “We see that Mario, too, might have developed the soul of a poet, had he not been born in such a backwater.” (Roger Ebert) The film has an enchanting quality to it that is able to bring about a higher appreciation of poetry and the strength in Symbol and Metaphor.

In all of these instances the literary devices play a huge role in defining their stories and bringing more depth into them. Symbols and Metaphors are everywhere throughout our existence. That’s why there are writers out there to comprehend such inner workings of the universe and put them on paper or in film so that it can be apparent to others that may experience such things without acknowledging them.

 

 

http://www.rogerebert.com/reviews/the-postman-il-postino-1995

http://www.reelviews.net/reelviews/postman-the-il-postino

 


Metáfori

You may be wondering why the title of this blogpost is in Italian, and I am here to tell you why. Over the past few days, my CI class has been watching a movie called “Il Postino” or “The Postman.” It is about a man named Mario who becomes the postman for communist poet Pablo Neruda. Neruda was exiled from his home country Chile, so he had to reside in a small village in Italy. Everyday Mario would bring Neruda his mail, and everyday Neruda would brush Mario off with a quick “thank you” and a tip. Mario was determined to get to know Neruda and understand his poetry for he was very interested in understanding why Neruda had so much power over the written text. In the beginning Mario is “the man who came to dinner: He arrives at Neruda’s gate, and in a sense never seems to leave” (Roger Ebert). When Pablo finally befriends Mario, he teaches him about Poetry, specifically metáfori. Mario meets this beautiful young woman named Beatrice Russo and wants to win her over with his poetry and metaphors. He begins to write her letters and poems (some his and some were Neruda’s). One metaphor he used that was significant to me, was when he described her smile as “a butterfly spreading it’s wings.” I found this to be profoundly beautiful because butterflies are so delicate yet so prominent, that her smile must have been the most beautiful thing in the world. In a Reel Views review, James Berardinelli makes an astute observation. He states, “Mario has the heart of a poet, but little talent with words” (Reel Views). Although he may have little talent with words in the beginning, he makes up for it with this quote, “the whole world is a metaphor for something” (Il Postino). Although Mario may seem like a simple man, he has profound thoughts and a kind heart. The affect Neruda had on Mario in the movie helped him grow from a fisherman’s son to a poet.

Since I’m already on the topic of Pablo Neruda, how about I talk about some of his metaphors? Neruda is one of the most talented poets I have ever had the privilege to read. Although his poems may seem simple to the naked eye, the deeper meanings in each line amazes me. In his poem “Walking Around,” Neruda voices how sad he is with his life.

“I don’t want so much misery.
I don’t want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief” (Walking Around).

To my limited understanding of poetry, this means to me that he does not want to end up with the same fate as every man.

In Neruda’s poem “I Like For You To Be Still,” he is speaking to a person about what he loves about them.

“You are like the night
With its stillness and constellations
Your silence is that of a star
As remote and candid” (I Like For You To Be Still).

Neruda uses the stars to describe the person he is speaking to. Beautiful yet distant.

In the novel I read for my CI, One Hundred Years of Solitude, Gabriel García Márquez uses metaphors to enhance the readers experience. In the beginning of the novel, José Arcadio Buendía is ahead of his time with the ideas he has. A Metaphor that really stood out to me in the novel was the dream José Arcadio Buendía had about the houses with walls of mirrors. I thought this could mean that the mirrors reflected who you were, and also didn’t let you escape that fact. Another Metaphor that stood out to me was when José Arcadio (José Arcadio Buendía’s son) was about to have sex with a gypsy girl. “She was a languid little frog, with incipient breasts and legs so thin they did not even match the size of José Arcadio’s arms, but she had a decision and a warmth that compensated for her fragility” (García Marquez 33). My first reaction to this sentence was “gross!” But then I stepped back and read it again. The way García Marquez describes the girl is a bit disturbing, but the detail he puts into it is magnificent.

The way each author uses metaphors to strengthen the different stories fascinates me and never ceases to make me want to read more. I had never read anything by Pablo Neruda before this class, and I will definitely continue reading his work.


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