Pan’s Labyrinth

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This movie was a strong comparison between Ofelia’s reality, and what she wanted her reality to be. She created the love for what Faun had told her, and the ideas of fantasies due to the trauma she felt and dealt with. Even though in the end she had to face her reality for what it truly was, she struggled to deal with her surrounding environment. Her step father, who showed no compassion, and he mother who was very wrapped up in her problematical pregnancy. Guillermo del Toro, did a wonderful job in making us question Ofelia’s reality, or in a bigger sense, our reception of her reality. In all the movie was to show the harsher side of what an imagination can do to a child.


A Creepy but Powerful Film

After reading a couple criticisms about Pan’s Labyrinth, I did not want to wait another minute before watching the film. It sounded like a movie that was made specifically for people like me. It had the kind of creepy, creative element of monsters and mythical creatures. It contained commentary about government and justice. It also blurred the line between reality and imaginary and the significance of each. I also am a big fan of literature and films from different countries, so I knew this movie was going to be good from the get go.

However, upon watching this movie, the way it portrayed these themes was a bit cliché. The evil step parent – in this case a step father – was harsh and unforgiving. He was also the leader of the fascist regime, symbolizing that the fascist regime in this movie was just as harsh and unforgiving. While this message is still important and crucial to the film, I find it a bit simplistic.

What was most interesting to me was the way the Mexican director, Guillermo del Torro, blurred the line between real and imaginary. Throughout the film. the watcher is wondering “Is all this fantasy stuff real or is it just the little girl’s imagination?” There are many moments that make us question. For example, when the bug turned into a fairy, when she opens the book the faun gave her and the pages are blank at first, and lastly when she’s running away from her step father and he doesn’t see the faun like the little girl does. On the flip side, all of the little girls interactions with the faun and other mythical creatures seem very realistic. The lack of clarity on this issue is key to the film’s meaning.

Another thing I liked about the film was how realistic it was. It didn’t necessarily have a happy ending and everything played out as it most likely would have in real life. In American movies, this isn’t always the case. For example, the little girl wasn’t able to defeat her much larger and armed step father. *Spoiler Alert* She died, which was most likely going to happen as after her mother died, the step father sees no more responsibility for her. The mother also died in childbirth which was likely due to the fact of such an uncomfortable and problematic pregnancy. I actually really liked the ending of the film and how everything played out because it really shows the audience how tragic reality can be sometimes.

Lastly, the meaning of the film had a big impact on me as well. Thought it displayed multiple different themes, I thought the film as a whole was about innocence and goodness. The audience finds this out at the very end when the faun asks the little girl for her baby brother as a sacrifice, but she refuses, sacrificing herself instead. I mean this little baby was the reason her mother is dead, and she still vows to protect him because she knows it’s the right thing to do. In the end, it earns her entrance into the kingdom the faun has been telling her about. Symbolizing that this innocence and goodness is the way to riches in the world.


Pan’s Labryinth

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Pan’s Labryinth portrays a young girl’s descent into a magical realm following the move of her and her mother to the countryside where Ofelia, the young girl, must deal with the cruelty and belittlement of her stepfather and the passivity of her mother. When Ofelia first meets the Faun, she asks Mercedes, a mother figure for Ofelia, if she believes in fairies. Mercedes’ response is “No, but I did when I was your age.”

As Mercedes struggles with secretly supporting rebels aiming to overthrow the regime The Captain, Ofelia’s cruel stepfather, works for; Ofelia struggles to complete the Faun’s tasks.Through this, Director Guillermo del Toro portrays the real world and magical world side-by-side. The ambiguous ending continues this pattern, as Ofelia is shown as a princess in her magical world, while Mercedes cries over Ofelia’s dead body in her real world.

Arguably, Ofelia’s magical fantasy is only a figment of imagination, inspired by her love of fairytales and persuaded by the horrors she has witnessed. Additionally, Franco was unable to see Faun when Ofelia held a conversation with him. However, because Franco has committed evil crimes, it is possible that he is unable to see Faun not because Faun doesn’t exist outside of Ofelia’s mind; but because there is no good within Franco.

 


El Laberinto del Fauno

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Pan’s Labyrinth, a mystical and fairytale-esque film written and directed by genius Guillermo del Toro Gomez, won several awards and critically acclaimed reviews, and rightfully so. When one finishes the movie, the first thought one generally ponders on is whether Ofelia made a fantasy to cope with her dynamic struggles or whether the mysterious land is indeed true. However, Pan’s Labyrinth should instead be focused on the point of view that Guillermo del Toro directed his cameras to: Ofelia, the young, innocent girl. As a person watches the movie through little Ofelia’s eyes (except the one scene in the viewpoint of Vidal), they are exposed to various situations where morals and ethics are heavily taken into consideration. With this in mind, the central message behind Guillermo del Toro’s masterpiece is that one should always be in touch with one’s inner morals. Gomez accomplishes this by creating a world only those (like Ofelia) who are innocent and not yet corrupted by things like greed and bloodlust can see. By including the scene where Vidal is not included or aware of Ofelia’s magical world, Gomez actually juxtaposes the two character’s levels of  their moral mentality. However, the beauty of Pan’s Labyrinth mainly rests on Guillermo del Toro’s generosity to induce the viewer to contemplate what they think is the true underlying meaning behind the ending, and furthermore, movie as a whole. Instead of slapping the spectator in the face with a revealing ending he desired, Guillermo del Toro instead permits the watcher to figure the true significance of the movie for themselves.

Pan’s Labyrinth

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Pan’s Labyrinth, by Guillermo Del Toro, intermixed reality and a fantasy world created by a child in order to cope with the severity of her reality. While there is debate regarding the existence of the ‘fairy’ reality that Ofelia creates, there is little doubt that at least to her, the reality is as real as the one the adults were in. A notable attribute to the movie is how the director manages to leave room for interpretation, so that it is possible for viewers to make the story their own in a sense.

Pan’s Labyrinth

In class we discussed in depth, to what degree this film was real, but there is really no right answer. Guillermo Del Toro ends the film with two endings, which allows the viewer to choose the ending he or she prefers. Providing alternate endings further allows the fantastic element to be prominent in the film by adding a feeling of uncertainty.  But, throughout the film Del Toro utilizes color to distinguish reality from fantasy. What I mean by this is that the hues of the scenes are different. For example, scenes with the captain or Ofelia’s mother have a bluer tinge. On the other hand scenes where Ofelia is faced with fantastic elements, for example retrieving the dagger and escaping from the pale man, are in a red-ish tinge. Even though there is a clear distinction between reality and fantasy in terms of the color scheme of the film, some scenes that have the blue tinge still contain fantastic characters. In the end it is up to the viewer to choose whether to believe in fairy tales.

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Pan’s Labyrinth

Pan’s Labyrinth  combined two worlds to represent the same ideals- Ideals such as kindness, hope, and general decency in people. Ophelia’s fairy tale world embodied and valued all of the things that she lacked in the world she lived. Ophelia and Mercedes both had hope, and were willing to fight for how they believed the world should be. Ophelia insisted that the fantastic world she believed in was real, and was even willing to die to stand up for its values. Mercedes was willing to rebel against the fascist cause to assist her brother and the rebels. Ophelia’s mother  showed the lack of hope people had who  completely stopped believing in idealistic things, and succumbed to believing the world would stay full of evil. Mercedes had rejected her belief in fairy tales, but still held on to a belief that there was kindness and decency in the cause she supported. Ophelia died happy believing in her fairy tale; suggesting that people should not abandon hope for good things they believe in, even if the world often doesn’t represent them.

 

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Pan’s Labyrinth

I honestly had to look up how to spell Pan’s Labyrinth before I started this post.

The film was interesting, but besides entertainment purposes I tried to understand how the film connected to my CI course which focuses on stories. Specifically, how stories function in our daily lives and if fictional stories are more or less important than true stories. I believe this film supports the idea that fictional stories are just as valuable in explaining our reality as true stories are. This is demonstrated through Ophelia’s interactions with the faun and the many tasks he gives her to complete. Throughout the film Ophelia is tested by the faun, and in the end it is through the tasks that she is able to understand selflessness and decency. By understanding these qualities, she is able to understand the Fascist  environment that she lives in and is able to not only understand its flaws, but to also break free from it through self-sacrifice. Although a fantastical example, Pan’s Labyrinth demonstrates the role of fairy tales and folk stories in our understanding of our world.


PAN’S LABYRINTH (Fantasy vs. Reality)

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Pan’s Labrynth (El Laberinto del Fauno), directed by Guillermo del Toro plays with the theme of fantasy vs. reality. The boundary between these two themes seem almost non existent as portrayed through Ofelia, the eleven year old girl who still believes in fairytales regardless of her age and circumstance(s). Ofelia copes with the evil around her through the fantasy she creates for herself. That fantasy becomes a part of her reality and we see that through her actions and interactions with the other characters. The movie holds a sense of ambiguity that gives it’s viewers the chance to decide if what they’re looking at through Ofelia’s p.o.v is real or pure fantasy. A few scenes from the movie serves as contradictions that go against what we think we know to be real, for example, the mandrake root which represented Ofelia’s unborn brother. That contradiction, along with a few others, is what makes the film so engaging and worthwhile even if you, like Mercedes, don’t believe in fantasies anymore.


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